Wednesday, May 6, 2020
The Stranger Character Analysis - 738 Words
The Stranger: Representation of the Setting In Camusââ¬â¢s novel, The Stranger, Camus uses the elements of setting to shows that humanââ¬â¢s action and emotion are influenced by the physical world. For example, the sun at Mananââ¬â¢s funeral that makes Meursault hard to see and think. The heat that forces him to murder. And the light in the courtroom that makes him tire. The weather and the surroundings in the novel controls Meursaultââ¬â¢s emotions, making him angry, sleepy or happy. By the uses of setting, and elements of setting, such as the sun and the heat, Camus illustrates the physical world is taking over the inner feelings of individuals by influencing their actions and emotions. We are introduced to the novel by the death of Maman. Camusâ⬠¦show more contentâ⬠¦Similarly, Camus demonstrates how the weather can affect individualââ¬â¢s thinking. While Meursault was in the examining magistrate after the murder, Meursault was introduced to his lawyer in the afternoon. Camus described the room as â⠬Å"very hotâ⬠, where the room was ââ¬Å"filled with sunlight barely softened by a flimsy curtain.â⬠(Camus 66) When the sunlight shining into the office, Meursault was unable to focus, and he was ââ¬Å"repeating the same story over and over.â⬠(Camus 67) By repeating over and over again under the pressure of heat, Camus suggested the feeling of annoyed. Camus uses the heat to set a constant reminder that Meursault is a man who does not have his own feelings. Rather, is a man who can be controlled by the surroundings. Camus uses the setting of sun, heat and weather to demonstrates that there is a separation between the physical world and the emotional world, in which people are aware of their surroundings, but slowly forgotten their own feelings. Camus included the death of Maman to shows that even though Meursault and Maman cares about each other, but when the heat is presented, the heat will override the feelings between the mother and son. Accordingly, the presenc e of the murder, which shows how Meursault was controlled by the weather under the hot sun. Meursault unintendedly walked towards the Arab just to cool off. Meursault also acts differently accordingly to the lighting and weather in the cell.Show MoreRelatedThe Stranger Character Analysis1634 Words à |à 7 PagesThe Stranger by Albert Camus follows the story of a man named Meursault, who received notice that his mother had passed away. Meursault was not emotionally connected to his mother, and his reaction is not what the reader would expect, as he did not seem to care at all. Therefore, the day after attending his motherââ¬â¢s funeral, Meursault goes to the beach and meets up with his girlfriend, Marie. After the beach, Meursault and Marie go to a movie and spend the night together. When he returns home fromRead MoreCharacter Analysis of Meusault in The Stranger637 Words à |à 3 PagesThe main character in The Stranger, Meursault is mentally not attached to the world. He is u nable to decipher good or bad in his actions. The passing of his mother has no effect on him or a girlââ¬â¢s continuous proposal whom he is very attracted too, also, he murders a man for no apparent reason and does not see anything wrong in doing so. Meursault is seen as a careless monster too society. At the beginning of this story Meursault is told his mother has passed away. After hearing the news, MeursaultRead MoreTitle and Character Analysis of The Stranger by Albert Camus784 Words à |à 3 PagesThe Stranger: Character and Title Analysis In Albert Camusââ¬â¢, The Stranger, the characters in the novel are individually unique in ways that bring out the positive and negative aspects of each other. When examining their traits you get the deeper meaning of things and what they stand for. The major characters in this novel are Meursault, Raymond Sintes, and Marie Cardona. Meursault shows no emotion through everything that goes on in his life such as a death. Raymond Sintes is a rude person and onlyRead MoreCharacter Analysis Of Meursault In The Novel The Stranger752 Words à |à 4 Pages Albert Camus in his novel, The Stranger, shows a genuinely interesting character, Meursault. In the beginning Meursault is depicted to appear as unethical and cruel, through him not showing no grief at his motherââ¬â¢s funeral. However, Camus, throughout the story builds up a considerably more engaging character that portrays more human-like emotions. At the end, Meursault character changes because he leaves off with a sympathetic feel towards him and is left off with thoughtful reflections and revelationsRead MoreThings Fall Apart, And The Heart Of Darkness1518 Words à |à 7 PagesIntroduction The following essay will contain a critical analysis of two passages from Things Fall Apart, and the Heart of Darkness. I will compare and contrast the narrative structure, the language used and the themes explored. Through this critical analysis, we can gain a better understanding of the two extracts, each one helping to illuminate the other. The passages I will be analysing are: Things Fall Apart, Chinua Achebe, Page 124 Heart of Darkness, Joseph Conrad, Page 116-117 Narrative StructureRead MoreThe Individual Versus His Environment in The Stranger and Grendel1674 Words à |à 7 Pages The Individual Versus His Environment in The Stranger and Grendel Due to the multifaceted nature of literature, analysis thereof is prone to generalization. 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Upon the initial reading of The Stranger, the rea der may have a general acknowledgment of a relationship between the novelââ¬â¢s protagonist, Mersault, and the sun and heat, either proceeding or following one of the novels significant events. What is harder to understand on the first readRead MoreGender Roles In Alfred Hitchcocks Rear Window And Strangers On A Train1232 Words à |à 5 Pageslives for quite sometime. Women are often portrayed as sexual objects, or delicate individuals; a body with no brain or strength. These traits are easily found within many novels and movies- old and new. In Alfred Hitchcockââ¬â¢s films, Rear Window and Strangers on a Train, Hitchcock begins his films representing women with the same characteristics as stated above. They are very stylish, attractive and presented as second-class individuals to males. But after examining these two films, Hitchcock does something
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